Showing posts with label emilydickinson. Show all posts
Showing posts with label emilydickinson. Show all posts

Tuesday, 16 January 2007

A tale before a grave


A tale
before
a grave

by António Dinis Lopes



Preliminary notes


Fernando Pessoa could write during his depressions.
Emily Dickinson could write under pain or during the intermissions of it.
Why shouldn’t I try then from my temporary illness?


Triumvirate.
Triptychos.
Trinity.


The outburst of a person who needs to save energy is usually short and compact.
Any crocodile, any snake demonstrates that in nature.
Natural is us thinking of nature.




________ + ________



I am sick when I don't care about the others.
In health I can detect such sickness with a few questions.
It too can be perceived by contrast.



* * *



Winter will be the season of my death.
Unpraisable fools will tell you which winter.
Even more base fools will wish it is not the next.



* * *



I remind you that the tune for my funeral is Bregovic’s “Tale V”.
You cannot afford the band to perform it.
Bring a green mp3 player.



* * *



This faint spark cannot light this house.
Cannot light this room.
But look again through my eyes.



* * *



Bring me a priest as I want to confess.
That I need no priest.
That there is no rest.



* * *



Give me a moment to recover.
To put an overcoat on my skin.
My skin on a recent lover.



* * *



This is my grave’s inscription.
It is still unwritten as the line below.




* * *



I’ve donated my headstone to build a school.
Donated my organs to science.
And bought some wood for my funeral pyre.



* * *



The father.
The son.
A Spirit with no Mother.



* * *



Hush.
You talk too much.
We listen not immensely.



* * *



Cry later in Spring.
A drop of salt.
My portrait.



* * *



I sing when the birds are quiet.
You call it silence.
Above me a remote duet.



* * *



Breton.
‘Oui.’
Where is Nadja.



* * *



I miss nothing here.
Not even a line.
No.



* * *



You were born to great deeds.
Including mourning me.
At night too.



* * *



Wilde.
‘Yes.’
A cigarette.



* * *



Come to understand.
Close your lids.
Shut the < I > of life.


________ + ________

 




Wednesday, 1 November 2006

Três (divinos) pensamentos estereoscópicos

Emily Dickinson, poetisa do século XIX, pensou que os poetas, no seu melhor, "enxaguavam a linguagem" ("rinsed the language", no original). Os poetas recriavam a linguagem limpando-a da crueza ou estereótipo, incúria e rusticidade geral.

É caso para sublinhar, no seu melhor.

 

Diz Charles Simic, um poeta norte-americano de ascendência sérvia, no seu poema "Calamity Crier" (traduzo eu, "Pregador de Calamidades", e o que se segue também), "Quanto mais inocente acreditares que és, mais duro será para ti."

Nem um pio, digo eu.

 

E Voltaire (porque tudo o que é propriedade do ar sempre volta), num dos seus escritos espirituosos, nada inocente e enxaguando uma gargalhada com lágrimas, afirma que "As coisas demasiado estúpidas para serem ditas são cantadas."

Para fugir a esta temível sentença, há sempre a alternativa instrumental, e não me refiro a abrir o cérebro alheio com um bisturi.

 

Tentando, então, aplicar toda esta sabedoria à poesia:

Dumb-da-di-tu-dumb-dumb,

Futu-tu-tufu-tu-tu,

A-e-i-o-u-tardário.